还是哈隆自Un homme qui crie以来无法摆脱的“急迫性”/emergency(几处敲门戏)——如果说导演在“消费女性苦难”观众是否也在“消费非洲”为何非洲的苦难必须“更加深刻”为何被永远标识为预设的“差异”car un homme qui crie n'est pas un ours qui danse ...
"You have a lot to lose. Life is dangerous. You don’t have to necessarily go to war for certain days of our lives to feel completely treacherous." Sarah Treem 说过的这句话对女性来说尤为准确女性太容易就被剥夺了一切