一个是白色皮囊和黑色内心的的白人一个是黑色皮囊白色内心的黑人对调的是身份打破的是隔阂黑人钢琴家不能真正融入白人世界又游离在黑人世界之外郑州限行时间和范围还是同性恋这太孤独太少数派太政治正确他拥有财富和权力却无法逾越肤色的樊篱他的克制和隐忍也没有换来尊严白人痞子混混教他要抗争和反击给他温暖和宽容让他获得释放和救赎Everyone was flattered.这真是高级又精致的政治正确示范作业
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In the aspect of storytelling and filmmaking, all the bad things are real, all the good things are fake. It still belongs to the one best kind of American contemporary film though, thanks the author and Ron Howard. I do hate how Hollywood has made the relink-the-drama-back-to-real-life a new cliche. It actually got old and sour.